Challenge: Writing Romance In Fiction

Yesterday, my critique partner and I had a chat about a romantic scene I wrote in Covers, the next book in the True Hearts series, and we concluded that it needs to change.

About My Critique Partner

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First, let me say that I use the term critique partner loosely. She critics my work, I do nothing for her except acknowledge her in my publications. Let me tell you that she deserves more than that because her comments take my work to another level. Having said that, Christmas might be a good time to show more gratitude.

My Comfort Zone

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Secondly, while the scenes in Covers are not the first romantic scenes I have ever written or published, they are the most intense and explicit. I decided to include this type of scene a little more because I’m more comfortable writing it now and the genre, which is New Adult, can totally handle it. Time to stretch that comfort zone.

The Right Fit

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Back to the chat with my critique partner. The tone of the romantic scene was wrong. It suddenly switched like it was written a different author or it was a different story. Not exactly what I wanted to hear, but I was not surprised either. I felt it when I was writing it. So how do I fix it? I’m not sure but I’ve started reading a few articles which might be of interest to you too:

Back To Drafting

 

Now that I’ve done some research, I need to mash up what is comparable to Red Hot Chili Peppers’ “Suck My Kiss” with something along the lines of Kings Of Leon’s “Sex On Fire”. A little humor, a little heat, and a whole lot of intimacy. Wish me luck!

What are some romantic movie or novel scenes that you love? What are some songs that  would convey the right mood? I love to hear from you. Leave me a comment.

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Cat Herding

 

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Image courtesy of National Novel Writing Month

I’m 18,000 words into National Novel Writing Month, aka NaNoWriMo. By the end of the month, I should have the first draft of Covers, a story of love and acceptance, ready for editing. Since this work in progress is my priority right now, I’m going to keep the blog posts short and funny.

Newsletter

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Before we go down the funny road, I want to let you know that I have a new offering: a monthly newsletter containing updates and behind the scenes on Masks, Secrets, Covers or any other work as well as any contests and freebies. To sign up, enter your name and email address in the Subscribe To My Newsletter section in the sidebar on this page.

Cowboys Of A Different Breed

What did you think of the video? I love hearing from you. Leave me a comment.

6 Writing Lessons From A Series Reader

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Earlier this month, I read a young adult dystopian series. In the end, I felt cheated and foolish. I kept wondering why an author would want to do that to her readers and I can’t come up with an answer. I don’t think she did it on purpose. However, I did realize there were some lessons for me to learn as a writer.

Make each voice distinct

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The first two novels of the series were told by one first person narrator, but the last book had two first person narrators. I couldn’t tell whose point of view I was reading in the last book because the characters spoke the same way. I need to make sure I discover my characters as deeply as possible so that I can switch back and forth between multiple voices and/or POVs without confusing myself or my readers.

Write characters that are relatable

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The main characters and their friends were easy to understand and care about. That’s why I kept reading. I wanted to see their development. Some of the antagonists were a little more difficult to understand because they lacked background. I struggle with this as a writer. How much do I want readers to understand where the antagonist is coming from? How much do I want them to empathize with him? My way around this is to make sure he acts destructively and hurts the protagonist.

Check the facts

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In the information age, we all know a lot, but we can’t all be experts. So use that search button and double check the facts, especially if the plot hinges on those facts. I don’t want to start ranting about the major science blunders in the series, so I’ll move on to the lesson that can be extrapolated from this lesson.

Build a writing team

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Build a writing team with a critic partner, a developmental editor, a proofreader, and a beta reader! Each of these roles should probably be held by a different person and each person should probably have a different background. So, hopefully, one of them will notice if my plot falls apart because it’s illogical, unsupported, the absolute opposite of reality, etc.

Take worldbuilding seriously

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I majored in Comparative Religions and noticed something interesting about creation stories. They answer the questions of how the world was created, where it was created, who created it, what came before it. They also reveal the view and philosophy that the folks living in a shared religious and cultural tradition believe. Rarely, did they leave me with a question. Approaching worldbuilding as if it were a sacred revelation might be the way to avoid leaving readers with unanswered questions about the setting and the worldview that the characters are operating within.

Each book in a series needs to stand alone

A series can be linked by characters with each book being more like an episode within the series such as Janet Evanovich’s Stephanie Plum Series. Or it can be linked by an overarching plot like Bernard Cornwell’s Saxon Chronicles. The Saxon Chronicles span ten novels, each with a different plot, and the overarching plot begins in the first novel and always becomes a secondary priority until the final novel.

I’m going to keep these things in mind because the last thing I want to do is upset my readers with poorly written novels.

What is your favorite series? What do you like about it most? I love hearing from you. Leave a comment.